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| What do you expect from a poet whose work you already know? | Journal | What makes work from a new poet exciting? |
| A sense that the poet's ambition to surprise and confound our expectations knows no bounds. | American Letters & Commentary:Anna Rabinowitz and Jeanne Marie Beaumont | When something fresh and vibrant jumps off the page to grab our attention; when the work is different from what we've encountered before. Nothing is more gratifying than to find exciting work from someone we don't know. |
| Signs of thoughtful development. | Apostrophe:Sheila Tombe | A degree of craftsmanship controlling ordinary language to extraordinary effect. |
| Continued excellence, steady voice. We like to keep a modicum of such poets, who express the magazine's identity: Barbara L. Greenberg, Barri Armitage, Susan Shapiro, Barbara Lefkowitz. | The Bridge:Jack Zucker | Formal grace and individual voice. |
| Continuity with the earlier work. On the other hand, it's exciting to see an established writer strike out in a new direction. | The Carolina Quarterly:Robert West | His or her newness itself. Publishing a fine poem by someone new is very satisfying. |
| I expect the same thing I expect from any poet: excellence of expression. The criteria remain the same for everyone. | ELF: Eclectic Literary Forum:C. K. Erbes | It's always exciting to find a new literary voice. |
| We don't usually read cover letters until the final cut. So the work must stand alone. We don't solicit; everything usually is submitted "over the transom," so every fine writer has a chance to succeed. | Kalliope, a Journal of Women's Art:Mary Sue Koeppel | We discover the poet is new usually only after the work is chosen for publication because it is then we read the cover letter and bio carefully. Usually we publish a new writer in every issue. When the new poet emerges, we are delighted! |
| That he or she will make it new. | The Literary Review:William Zander | Startling images, vision, the shock of recognition. |
| I have learned that I best appreciate poetry when I expect anything. | Lullwater Review:Eric Brignac | Poems to which I can relate always excite me. I like poets that can relate their experience in a way that resonates with my experience. |
| Poems. | Phoebe: A Journal of Literary Arts:Christopher Putnam | * |
| Better work in the same vein of what she or he has written; I don't want work in a wholly new vein, for it is often forced. | The Sewanee Review:George Core | The same things that have always made poetry exciting. Robert Penn Warren once said that bad work from a young writer stinks just as bad as wretched work from an established writer, and he said at the same time that experimental is a big word for flop. |
| More of the informing qualities which drew me to the work initially. | The Southern Review:Dave Smith | Maybe the same things that make attraction to a man or woman exciting, the unknown, the unexperienced, the possibility for some unexpected life. |
| Work equal to, or better than, the quality of work previously seen. | tnr:Frank Finale | That it is new. That there is a freshness of voice in the poems. |
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